This is great compilation album of japanese mid-eighties gothic, new wave, post-punk and noisy avantgarde stuff. G-Schmitt are frail, beautiful and full of pathos, Madame Edwarda’s tracks definitely surpass the songs of their debut album, Auto-Mod deliver songs of dancable aggression and childlike wanderings (but less funk than on some of their 7“es), and Sadie-Sads’ tracks on this album are pure genius. And to make it all perfect, the title translates as…
狂気の日本 